Richard Meaghan’s series of self-portraits reflects his sharp critique of society, examining the complexities of identity, power, and societal expectations. He describes his art as a form of protest, aiming to expose the ugliness, hypocrisy, and sickness of the world. His emasculated figures, often grotesque and exaggerated, are a satirical commentary on the dehumanization and corruption he observes in the world today.

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